One evening a message slid onto her screen: a commission from the Maritime Archive, to build an exhibit that would “rekindle collective memory of the city’s waterfront.” The budget was tight but the intent pure. Karina thought of the Y107 and its uncanny ability to see the ache behind the brief. She decided to propose a risky centerpiece: the Carousel of Tides, an interactive ring of glass bowls, each one tied to an individual’s family story—snippets of voice, a scent, a shard of reclaimed rope—designed to spark reflection rather than spectacle.